Learn how to use camera DSLR online in easy

Choosing a Shutter Speed

As settings are experimented with, such as with the three boardwalk images, it is important to remember the impact that adjusting the f/stop has on the results of an image. When it comes to low light photography, this is even more critical. Why? Because with low light there are many times when it is better to let more light in with a larger aperture, allowing for a faster shutter speed. With best high speed camera, you can have no worry about this.

When using a shutter speed of less than 250,1 highly recommend using a tripod for stability. This is even more true when there is a big, telephoto lens on the camera, as they add more weight, which can be tricky to keep braced. Shutter speeds faster than 250, with or without a tripod, will cut dowm on blurred images. There are times when a photographer intentionally slows the shutter speed in order to blur an image, like the headlights in this night shot. If that’s the case, then a slow shutter speed is called for. If the desired outcome is to freeze a moving object, then use a faster shutter speed.

Photo Credit: Heather Hummel Photography

While this may initially seem confusing, once these concepts are explored out in the field, they eventually become almost automatic.


It is rather amazing what humans subconsciously process when they view a photograph. Many have a simple knowing that a photograph (or painting) is composed well or not because much of it stems from what transpires in the connection between the work of art and the brain. In other words, we know what we like when we see it with best lens for canon 80D.

Photo Credit: Heather Hummel Photography . Composition stems from having a creative eye, rather than using a specific technical setting, such as aperture or shutter speed. Composition also matters in every genre of photography—landscape, portraiture, street, journalism, fine art, etc. No matter the subject or the photographic event, if the composition does not resonate, the shot will be a flop. Alternatively, if the photographer nails the composition, the photograph will be a success. Understanding the Rule of Thirds

The foundational method of composition is the “ Rule of Thirds.” It is a simple enough rule that once understood, photographers can’t help but think about it when capturing an image. When it comes to composition, the Rule of Thirds is one of the first concepts amateur photographers should learn.

What is the Rule of Thirds? DSLRs have the option of displaying a typical nine section grid, such as this one. When this grid is displayed, it breaks the camera’s horizontal screen dowm into nine squares, equaling three horizontal and three vertical squares.

The concept of the Rule of Thirds is to place the subject in the top, bottom, left or the right third of the grid, also known as the frame. Breaking the Rule of Thirds is when the subject is placed smack in the middle of the frame. The idea is to split the image, such as this simplistic example of a bale of hay, into a 1:2 ratio (one third and two thirds), instead of in half.

Photo Credit: Heather Hummel Photography

One reason why this rule works is because of this: if a photographic subject is placed smack in the middle of the image, it is what artists consider static. In other words, the viewers’ eyes are drawn to the subject, but then have nowhere to go from there because the subject is placed in equal distance from all four edges. The eye is drawn to the middle and stays there, hence being static. However, when the Rule of Thirds is used, and the photographic subject is positioned on one of the edges, be it left, right, top, or bottom, it instinctively forces the eye to follow it. This, by default, allows viewers to linger on the photograph, which makes for a compelling photo because it becomes nearly interactive.

Take these three photos of the Jacksonville, Florida sunset as an example. Proven Theory

Photographers and artists use the Rule of Thirds because of its timeless and proven theory. However, we all know rules were written to be broken, right? Photography’s Rule of Thirds is the perfect example. In fact, if rules are meant to be broken, it would certainly be in the creative realm. With that said, a rule ought to be understood before being broken.

Many amateur photographers break the Rule of Thirds because they simply and innocently don’t even know it exists. Yet, a seasoned photographer not only abides by the rule, but knows best how to bend, twist, or break it.

3. Tripods

Bow Down to the Tripod

In photography, the equation is simple: shaking equals blurring. Hand holding a camera in low light increases the odds that the shot will be blurry. With a tripod, the shutter can stay open as long as needed—minutes and even hours, and as long the camera remains still, the picture won’t be blurry. Yet, too many photographers dread pulling out their tripod because they are clunky, and some are even downright heavy. They can be a hassle to carry around, especially when out in nature. However, by using a tripod it can make the difference between an amateur shot and an epic shot worthy of framing for hanging on a wall or at least a lot of likes on Facebook.

Steady at the Wheel Means Sharp Images . Simply put, the most compelling reason to use a tripod is to increase the camera’s stability. The last thing a photographer wants their camera to be is unsteady like a newborn colt!

Camera stability is what tripods were made for, and when stability’ is in place, razor-sharp images are more likely to happen.

Photo Credit: Heather Hummel Photography

Sadly, the extra bit of time taken to unpack and set up a tripod tends to discourage some photographers. Yes, it certainly does take extra time. Nevertheless, isn’t it better to ensure a selection of sharper images after all the time spent heading into the woods, fields, rivers, mountains, oceans, or wherever else a photography muse leads? The tripod will certainly help to avoid coming home with blurred images (and possibly a few ticks or mosquito bites, too).

Note that there will be times when Mother Nature can interfere, such as during high winds, which can obviously rattle a tripod and camera around a bit. In conditions such as these, further adjustments will need to be made.

Tripod Set Up and Two-Second Timers

Uncertain footing beneath a camera, which is commonplace in landscape photography, is to be expected. This is why tripods are built with a multitude of adjustments. To make the camera as level as possible, adjust the individual leg lengths to accommodate for ground that isn’t level. It isn’t uncommon for my tripods to have one leg up on a rock while the other two are in sand or dirt.

Once the camera and tripod are set, use the two second self-timer to ensure pressing the shutter button doesn’t shake the camera. To find out how to set the self-timer on your specific camera, check with the camera’s user manual or do a quick Google or YouTube search. The answer is bound to be out there, especially for current digital cameras.

Common Pool Care Mistakes – Learn these tips online

You love swimming, you have a swimming pool in your house ? You may ask how to take care of your beautiful swimming pool so  you can enjoy swimming everyday.  If you say yes this article is for you :  3 Common Pool Care Mistakes.

2014 Summer Camp Pool Fun


Mistake 1 :  Not checking PH regularly

What is PH ? PH stands for potential hydrogen. The Ph is a measure of the percentage of hydrogen ions your pool water contains.  The lower the pH number, the more acidic the substance. The higher the PH number, the more alkaline the pool water contains. There is a scale of 0-14 for the PH number. Anything below 7 is acidic and anything over 7 is alkaline. What will happen if your pool is too acidic or too alkaline ?

In the first case, your pool is too acidic :

Because acidic water is corrosive, therefore the more acidic the water, the more it will cost you time, money and the less pleasant you enjoy your swimming. It costs you the money and time because it causes the damage to your equipment, including : Pool filter and pump, Vinyl liner, Heater, Automatic cleaner, Chemical feeder, Maintenance equipment, Solar blanket. It makes your swimming unpleasant because your swimwear color will fade in acidic water over time and your eyes will sting and burn when you swim in a pool that is too acidic. Your skin will be ichy, tight and dried-out because the natural oil on your skin will be removed in the water with low PH.  

In the second case, your pool is too alkaline :

If the water is too alkaline, it can cause scaling on the pool surface and plumbing equipment and can cloud the water. Your eyes and nasal cavities will be stinging and your skin will feel sticky.

You may want to know the range of PH scale you should maintain and how to keep your pool’s PH staying in this range.

The ideal PH range is from 7.4 to 7.6. One thing you should know is the PH of your pool’s water can frequently change due to factors such as rain, sunscreen, sweat and evaporation. And here’re the ways to keep maintaining your pool’s PH :

Use proper test equipment and test your pool’s PH once a week

Make chemical adjustments.

Consider to call the pool service professionals for the instructions or any questions or the service if you don’t want to perform these tasks

Mistake 2 :  Not brushing your pool

To make your pool clean, we all know that we should use best pool cleaner and especially nowadays with the development of technology, we have the best robotic pool cleaner with extremely efficient cleaning ability. But you also need a pool brush to take care of hard-to-reach areas : behind ladders, the water line at the top of the pool, steps or stairs, corners and crevasses. Brushing the pool is easily forgotten and seems like an unnecessary and daunting task but it does need to be done weekly or more because the hard-to reach areas are usually not brushed well by an automatic cleaning system. Using a pool brush will reduce the chances of stains on your pool and further increase the cleanliness of your swimming pool. So how to brush your pool ? To brush your pool, use a nylon pool brush or you can choose a combination stainless steel and nylon pool brush. The bristles of the brush should be kept in good shape and not left in the sun. Attach the brush to your telepole and run it across the hard-to-reach areas. It doesn’t need to be scrubbed down with force, just a simple brushing along the surface is good enough.

Mistake 3 :  Common mistakes in using shock

Shocking your pool is a great way to remove organics in your water, kill off algae, and make your pool stay clean. Pool shock is either chlorine or non-chlorine chemicals that you add to the pool to destroy any contaminants in the water. The goal of shocking your pool is to raise the free chlorine levels to a point where it will destroy any algae or bacteria growing in the pool. The free chlorine is “good” chlorine that is still able to keep your pool fresh and clean. Here are three  common mistakes in using shock :

+Shocking your swimming pool during the day : You should shock your pool everyweek. It needs 1 pound of shock per 10.000 gallons of water. In order for your shock treatment to be the most effective, you need to shock your pool at night or dusk. You may ask why ? Because shock is un-stablilized chlorine. The sun will burn off 1ppm (part per million) each hour. To reach break-point oxidation, you need a chlorine level of 13 ppm or more. If you shock at night, the sun can’t burn off the chlorine and it will leave enough time to do its job.

+Adding pool shock through your skimmer :  When combining Pool shock and chlorine, it will create a deadly gas. If you have an automatic chlorinator attached to your filter system, and you pour the shock into the skimmer, the shock and chlorine will mix inside the chlorinator which can cause the chlorinator to explore. The explosion may hurt some people and this will be the biggest mistake you can make in taking care of your swimming pool.

+Adding shock directly into the pool water : if you add shock directly into the water and you have a vinyl liner in your swimming pool, the shock granules will sink the bottom and bleach out your liner. It will also cause the area to become brittle and frail which can cause leaks. You may want to know how to shock a swimming pool in the right way, here are the quick tips : always use gloves and protective eye wear, add 1 pound of shock a 5 gallon bucket of water about ¾ full, always add shock to water not water to shock, wear clothes you don’t care about because they might get bleached, warm water dissolves shock faster than cold, use a wooden stick and slowly stir in the shock making sure it dissolves completely, or as much as possible, slowly pour the bucket of pre-dissolved shock around your pool. You may have some undissolved shock at the bottom of your bucket. In this case, just dip your bucket in some pool water give it a slow swish around and pour it back into the pool to help dissolve some of that shock, do not mix all the bags together in one bucket. Shock should also be added every week to ensure a clean and algae-free pool

Bottom lines : To avoid the above three common mistakes, please check PH regularly, brush your pool with a pool brush, avoid common mistakes when shocking your pool. Hope you enjoy swimming after reading our online workshop.

Learning trekking easier and cheaper with Moocs method.

Difficulties of the trekking. Honestly and without grimaces.

It is necessary to cany a heavy backpack. The shoulders are gradually getting used to the load, but the weight is always pressing, especially when you are walking uphill. And it takes 6 … 8 hours a day. And tomorrow too…

Dirty, sometimes knee-deep, trails. Lying across the trail are trees. Stones and roots on the path and strive to turn your legs. Wandering cold rivers should be in shoes. The nights are cool and shivering, but there is nobody to warm it up. You can use best Police flashlight to get more light during the trekking.

Branches cling and tear clothes and body. The rains and the wind are ready to freeze you. The sun – are fry alive. And so it can be in turn for an hour.

To women: unwashed head, dirty clothes, no romance, no “comforts”, scratched hands and feet, men are mating, mosquitoes bite, and «no personal life”. And just hard! Loving nature happens in fragments, it is more necessary to look under the feet, so as not to roll your neck. And the leader-sadist again ran forward. Your head does not take into account your “logical reasoning”. Believe me, he knows better.

Positive sides. Well, not all is so “bad»…

It is so beautiful around only in the mountains. There, nature is untouched by civilization. Active outdoor movement is very useful. After the hike, it will be something new and interesting to tell friends, and then all the stories -about gossip and about “booze.”

There may be new Friends who have passed with you windbreaks, fords and passes. You understand that without a telephone and a TV7 you can live very much. You will learn a lot about yourself new. And good and not very … Something can be proud of! The physical form (in those who had it) is greatly improved.

I hope that these simple notes and tips can make your life easier during the hike.

And, accordingly, you will have more time to enjoy the wildlife. Unfortunately, the English – not my mother tongue. I maintain my notes in Spanish and Portuguese. Some notes may appear overly formalized, but that does not deprive them of their valuables.

A few simple rules in the hike

  • The leader of the hike is always right.
  • No one forced anyone to go on a campaign and even dissuaded.
  • Each participant carries his own backpack or goes home.
  • If the muscles hurt – it means they are, but it was possible to train better.
  • Collect firewood for the campfire all the participants of the hike, and not just the attendants. You can prepare some  best bipod for AR 15 to defense thief and beast.
  • Crying songs around the fire in the middle of the night is possible, but only in a whisper.
  • On the path, remember who goes behind you, because someone is also ahead.
  • Nature has no bad weather, and there is bad equipment.
  • There is no tasteless food, but there are unhappy tourists. You will also be on duty.
  • The thing left by the fire, has a habit of burning in it.
  • Attempts to cross the river on stones with dry boots result in a fall into the river.
  • A good stash is not superfluous, but a Hero of the day does.
  • Together, nobody is frozen in one sleeping bag.
  • Sometimes, it’s better to bypass than climb over, and it’s better to step over than to turn up.
  • The morning is wiser than the evening. It is better to sleep through a difficult decision.
  • If you forgot to take something, then you do not need it, but there can be problems.
  • In the campaign all are equal; there are no ages and posts.
  • For everything that happens to you, in the answer only you yourself.
  • The size of the problem depends on the size of the desire to solve it.
  • Most terrible beast is a Chipmunk.
  • The more isolated the terrain, the safer, cleaner and more beautiful.
  • Do not offend Nature – it may not calculate the strength and size of the surrender.
  • Parking after the group should remain clean, with a stock of firewood and without any forgotten things.
  • I would very much like you to follow these rules in any campaign.
  • Still no one was hurt by doing them.
  • And jww we will get acquainted with several practical recommendations for preparing for the campaign.
  • These are useful notes.
  • For example, I always try to follow them.
  • And till now I had everything in order.

Thank you for reading my short article about how to trek and useful tips that you have never forget to get a better trip with your family and friends. Cheers!

Update for you:

Interesting tips for backpacking

  • To begin with, buy digital scales of small size or digital bezmen. It is perfectly suitable scales with a load capacity7 of up to 10 kg. Now you can safely take your exact instrument to the store and weigh what you buy. Do not be afraid to scare sellers. And let them do not frighten you anymore, now everything is under control!
  • The most reliable and affordable way to lose weight is to reduce your own weight. A few pounds to lose are not difficult, and the ease and endurance
    that you will get is irreplaceable!
  • Think carefully about the list of equipment, much you can just leave at home!
  • Try to avoid fees at the last minute; this is the best way to avoid unnecessary and unnecessary things, for example, to sort out with clothes.
  • If you are planning to go camping with a companion, think over the general equipment, such as awning and dishes.
  • Develop your serving skills; be more creative, most of the expensive equipment can be made with your own hands.


General Chair

Saman Amarasinghe, MIT

Program Chair

Candace Thille, Stanford

Co-Program Chair

Ross Strader, Stanford

Publicity Chair

Kalyan Veeramachaneni, MIT

Finance Chair

Una-May OReilly, MIT

Steering Committee

Anant Agarwal, EdX, MIT
Armando Fox, UC Berkeley
Jeff Haywood, Edinburgh
Daphne Koller, Coursera, Stanford
Daniela Rus, MIT
Sebestian Thrun, Udacity, Stanford
Barbara Chow, Hewlett Foundation

Program Committee

George Siemens, University of Texas at Arlington
Rob Miller, MIT
Doug Fisher, Vanderbilt University
Derek Bruff, Vanderbilt University
Amy Bennett, University of Pennsylvania
Phil Long, University of Queensland
Deepak Phatak, IIT Bombay
John Mitchell, Stanford University
Justin Reich, Harvard University
Ryan Baker, Teachers college, Columbia University
Rebecca Petersen, edX
Norman Bier, Carnegie Mellon University
Neil Heffernan, Worcester Polytechnic Institute
Marcia Linn, UC Berkeley
Zach Pardos, UC Berkeley
Kurt VanLehn, Arizona State University
Matt Easterday NorthWestern University
Barbara Means, SRI
Marie Cini, University of Maryland, University College
Allison Dulin, Davidson College
Pierre Dillenbourg, EPFL
Dan Grossman, University of Washington
Chris Brooks, University of Michigan
Maria Janelli, American Museum of Natural History
Carin Nuernberg, Berklee
Cassandra Horii, Caltech
Isaac Chuang, MIT/MITx
Dick Clark, University of Southern California
Lynne OBrien, Duke University
Tanja de Bie, Universiteit Leiden
Yvonne Belanger, Gates Foundation
Peter Norvig, Google
Bror Saxberg, Kaplan


I see that the application deadline has passed. Can I still participate in the Learning with MOOCs workshop?
No. We have had an overwhelming interest in this workshop, but unfortunately have limited space and are not able to accept any more applicants.

What is the format of the workshop?
The workshop will consist of the following types of sessions:

  • Keynote Speakers: Themes are Teaching Learning, Research, Openness, Technology, and the International Perspective.
  • Panel Presentations: Short presentations by a few individuals followed by 30 minutes of facilitated discussion
  • Individual Presentations: A 15-20 minute presentation followed by 40 minutes of facilitated discussion
  • Lightning Rounds: Ten 3-minute presentations grouped with by theme followed by a 30-minute facilitated discussion about the presentations.

There will also be plenty of time for ad-hoc discussion so that participants may connect with others working in the same area and share thoughts, ideas, and experiences.

I received an invitation to attend the Learning with MOOCs workshop. Does that mean that I am presenting?
No. The one-page descriptions of work were used for two purposes:

  1. As an application to attend the workshop. If you were selected to attend the workshop, you received an email on May 19 (subject: 2014 Learning with MOOCs Workshop).
  2. To invite presentations for the workshop. If you were invited to present at the workshop, you received an invitation by email on June 19 describing your presentation format (subject: Invitation to Present 2014 Learning with MOOCs Workshop).

I was invited to attend, but do not have sufficient travel funds. Is there any financial support available?
Yes. If you are unable to attend the workshop due to severe financial constraints, we have a very limited amount of scholarship funds (available to participants whether or not you were invited to present). More information is available on the registration page (link included in your invitation email).

Candace Thille

Candace Thille is a senior research fellow in the Office of the Vice Provost for Online Learning and an assistant professor in the Graduate School of Education at Stanford University. She is the founding director of the Open Learning Initiative at Carnegie Mellon University and at Stanford University. The focus of her work is in applying the results from research in the science of learning to the design and evaluation of open web-based learning environments.

Dr. Thille serves as a redesign scholar for the National Center for Academic Transformation; as a fellow of the International Society for Design and Development in Education; on the Assessment 2020 Task Force of the American Board of Internal Medicine; on the advisory committee for the Association of American Universities STEM initiative; on the advisory committee for the NSF Directorate for Education and Human Resources; and on the board of directors of the Association of American Colleges and Universities. She served on the U.S. Department of Education working group, co-authoring the National Education Technology Plan, and on the working group of the President’s Council of Advisors on Science and Technology that produced the Engage to Excel report.


Tuesday August 12, 2014

8:00 AM  9:00 AM Registration and Continental Breakfast
9:00 AM  –  9:30 AM Room 123 Opening Session
Welcome Anant Agarwal, edX
Overview of Learning with MOOCs Workshop Candace Thille, Open Learning Initiative, Stanford University (watch online)
9:30 AM  10:30 AM Room 123 Keynote The Learning Perspective
Susan Singer, National Science Foundation
(watch online) 
10:30 AM  11:00 AM Break
11:00 AM  12:00 PM Room 141 Design Track: Design and Development of Project and Case Based MOOCs in educational technology and games Eric Klopfer and Ilana Schoenfeld (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 124 Teaching Track: A successful learning experience using SPOCs Carlos Delgado Kloos, Pedro. J. Muñoz-Merino, Jose Ruiperez Valiente, Maria Auger, Susana Briz, Vanessa de Castro, Silvia Santalla (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 123 Research Track: Learning Exists in MOOCS, What Resources Correlate with It? Kimberly Colvin, Colin Fredericks, Alwina Liu Liu, Daniel Seaton, Raluca Teodorescu, Zhongzhou Chen, John Champaign, David Pritchard (15 minute talk followed by 45 minute facilitated discussion)(watch online)
Room 144 Technology Track: The Shikkhok Project: Building an Ultra-low cost Crowdsourced MOOC for Non-English Speaking Students in South Asia Ragib Hasan (15 minute talk followed by 45 minute facilitated discussion) (watch online)
12:00 PM  1:00 PM Lunch
1:00 PM  2:00 PM Room 123 Keynote OER and the State of the MOOC
Cathy Casserly, Hewlett Foundation
(watch online)
2:00 PM  2:30 PM Break
2:30 PM  3:30 PM Room 124 Design Track: Pre-Algebra MOOC for College Readiness Sasha Thackaberry (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 144 Teaching Track: Using a MOOC to Flip My Freshman Biology Course Brian White (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 141 Research Track: Researching for better online instructional methods using AB testing Zhongzhou Chen, Christopher Chudzicki, Demirci Neset, Peter Bohacek, David Pritchard (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 123 Research Track: Lightning Round Session 1 (Short presentations followed by 30 minute facilitated discussion). Facilitated by Rebecca Petersen. (watch online)

  • Exploring Social Factors that Impact Persistence in MOOCs Carolyn Rose, Diyi Yang, and Miaomiao Wen
  • Big data in MOOCs Laura Perna, Alan Ruby, Robert Boruch, Nicole Wang, Chad Evans, Seher Ahmad, and Janie Scull
  • Evaluating the Flipped Classroom in An Undergraduate History Course Yiran Zhao and Andrew Ho
  • Peer Grading Design with Cloud Teaching Assistant System Tim Vogelsang and Lara Ruppertz
  • Diagnosing Dropouts in MOOCs Sherif Halawa and John Mitchell
  • An Investigation on Optimal Text Length for MOOCs Tiffany Wong and Meghan Morrissey
  • The Promise of Social Learning and Annotation in MOOCs Emily Schneider and Rene Kizilcec
  • A MOOC Data Infrastructure for Research and Feedback John Zornig and Andrew Dekker
3:30 PM  4:00 PM Break
4:00 PM  5:00 PM Room 124 Design Track: An Approach to Skill Mapping in Online Courses Sean Lip, Dawn Zimmaro, Ross Strader, Norman Bier, Candace Thille (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 141 Research Track: Panel Discussion: Understanding Our Learners and Meeting Them Where They Are Maria Janelli, Jennifer Deboer (Two 10 minute talks followed by 40 minute facilitated discussion) (watch online)
Room 144 Technology Track: Open Edx Annotation tools: breaking the unidirectionality of online course content Philip Desenne, Leah Reis-Dennis (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 123 Teaching Track: Lightning Round Session 2 (Short presentations followed by 30 minute facilitated discussion). Facilitated by Marie Cini. (watch online)

  • MOOCs and the Humanities: Past, Present, Future Zachary Davis
  • Course Drift in Blended, Large Enrollment, Multiple Section Courses David Majerich and Aldo Ferri
  • Learning History through a MOOC Bernard Cooperman
  • Can MOOCs support new pedagogical experimentation in on-campus teaching and learning? Allison Dulin, Kristen Eshleman, Erland Stevens, and Rebecca Peterson
  • MOOCs on campus: exploring models for student engagement Cassandra Horii
  • The sMOOC Experience: Strategies That Promote Academic Success for Community College Students Harold Riggs, Linda Grisham, and Lynn Hunter
  • Teacher enrollment and engagement in MITx open online courses Daniel Seaton and Jon Daries
5:00 PM  6:00 PM Break and Transportation to JFK Museum
6:00 PM  7:00 PM JFK Museum Reception and Quick Hits Posters (watch online)
7:00 PM  8:00 PM JFK Museum Keynote Panel: How MOOC Platforms Enable Learning
Panelists include Anant Agarwal (edX), Vivek Goel (Coursera), Melissa Loble (Canvas), and Mark Lester (FutureLearn). Moderator: Diana Oblinger (EDUCAUSE)
(watch online)
8:00 PM  9:30 PM JFK Museum Buffet-style Dinner

Wednesday August 13, 2014

8:00 AM  9:00 AM Registration and Continental Breakfast
9:00 AM  –  10:00 AM Room 123 Keynote The Research Perspective
Richard Clark, University of Southern California
(watch online)
10:00 AM  10:30 AM Break
10:30 AM  11:30 AM Room 124 Design Track: MOOCs as Collaborative Tools to Support Teacher Learning Sara Rutherford-Quach, Hsiaolin Hsieh (15 minute talk followed by 45 minute facilitated discussion) (watch online) 
Room 141 Teaching Track: Blending MOOC resources for traditional credit-granting institutions Damian Bebell, Rebecca Petersen (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 144 Research Track: Using OLI Learning Environments to Support MOOCs Norman Bier (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 123 Technology Track: Lightning Round Session 3 (Short presentations followed by 30 minute facilitated discussion). Facilitated by Sanjoy Mahajan. (watch online)

  • Linking MOOC Contents Using Human Language Technologies Shang-Wen Li and Victor Zue
  • How can we design peer interactions to harness the scale and diversity in an online class? Chinmay Kulkarni, Michael Bernstein, and Scott Klemmer
  • Towards Lab-based MOOCs: Cyber-Physical Systems, Robotics, and Beyond Garvit Juniwal, Alexandre Donze, Jeff C. Jensen, and Sanjit A. Seshia
  • Crossing the Streams: Combining a MOOC with Personalized Learning Technology Andrew Smith Lewis and Jeff Hellmer
  • Teaching with MathWorks Tools John Kotwicki
  • A platform to bridge the global skills gap by increasing access to online education technologies Jake Hirsch-Allen and Jonathan Glencross
  • Leveraging edX Technology for assessments in Indian Institutions Shibani Singh
11:30 AM  12:30 PM Lunch
12:30 PM  1:30 PM Room 141 Teaching Track: Author or Instructor: Teaching a MOOC Ani Adhikari (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 124 Technology Track: Tools to Enable the Design and Reuse of MOOC Materials Brandon Muramatsu, Jeffrey Merriman, Cole Shaw (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 144 Research Track: Four Types of MOOC Research: From Fishing in the Exhaust to Design Research in the Core Justin Reich (15 minute talk followed by 45 minute facilitated discussion) (watch online) 
Room 123 Design Track: Lightning Round Session 4 (Short presentations followed by 30 minute facilitated discussion). Facilitated by John Zornig. (watch online)

  • The Power of Community: MOOC > Digital Textbook Ronen Plesser
  • Makers Open Online Courses Enhance Learning and Sustainability Jacky Hood
  • Formative MOOC Development Junjie Liu
  • Enabling MOOC Collaborations Through Modularity Geoffrey Challen and Margo Seltzer
  • Student collaboration, engagement, persistence and social presence at scale Anne Trumbore
  • Experimenting with OpenEdX, Alumni & Undergraduate interaction, and the Advent of the Atomic Bomb Kevin Lynch
1:30 PM  2:00 PM Break
2:00 PM  3:00 PM Room 124 Design Track: MOOCs and the Older Learner Susan Hoffman, Chelsea Crown (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 141 Teaching Track: The Impact of MOOC Blended Instruction to Teach Programming Velma Latson (15 minute talk followed by 45 minute facilitated discussion) (watch online)
Room 123 Research Track: Panel Discussion: Learner Engagement and Motivation in MOOCs Yuan Elle Wang, Hal Daume III, Jason Mock (Three 10 minute talks followed by 30 minute facilitated discussion) (watch online)
Room 144 Technology Track: Achieving Learning Objectives Online: Not All Platforms are Equal! Nick Feamster (15 minute talk followed by 45 minute facilitated discussion) (watch online)
3:00 PM  3:30 PM Break
3:30 PM  4:30 PM Room 123 Town Hall Meeting
Final coming together as a group to discuss lessons, concerns, and vision for the future
(watch online)

Richard Clark

Richard Clark is CEO of Atlantic Training Inc., Professor Emeritus of Educational Psychology and Technology in the Rossier School of Education, Clinical Research Professor of Surgery in the Keck School of Medicine and Co-Director of the Center for Cognitive Technology at the University of Southern California. Before coming to USC he was a faculty member in Psychology and Education at Stanford and Syracuse Universities. He also served as Chief Science Advisor for Expert Knowledge Solutions LLC.

Dick is the author of over 300 published articles and book chapters as well as three recent books Learning from Media: Arguments, analysis and evidence, Second Edition (2012, Information Age Publishers); Handling Complexity in Learning Environments: Research and Theory (2006, Elsevier) and Turning Research into Results: A guide to selecting the right performance solutions (2008, Information Age Publishers) which received the International Society for Performance Improvement (ISPI) Award of Excellence. In recent years he has received the 2013 USC Faculty Lifetime Achievement Award, the Thomas F. Gilbert distinguished professional achievement award and a Presidential Citation for Intellectual Leadership from ISPI, the SITE Foundation Excellence in Research Award, the ASTD research study of the year award for his work on performance incentives, the 2010 Thalheimer Neon Elephant Award for bridging the gap between science and practice, the 2011 Presidential Award for Intellectual Leadership from AECT, the Socrates award for excellence in teaching from the graduate students at USC and the Outstanding Civilian Service Award from the U. S. Army for his work in distance learning.

Dick is an elected Fellow of the American Psychological Association (Division 15, Educational Psychology), the American Educational Research Association and the Association of Applied Psychology and is a Founding Fellow of the Association for Psychological Science.

His current research interests include the design and evaluation of online and blended instruction for adults on highly complex tasks, cognitive load theory for multimedia and simulation training, the development of the Guided Experiential Learning design systems for pedagogical applications and the use of Cognitive Task Analysis to capture and teach the complex knowledge used by advanced experts in all fields.

Tools to Enable the Design and Reuse of MOOC Materials

Brandon Muramatsu, Jeffrey Merriman, Cole Shaw

The rush to develop MOOCs has led faculty and course development teams to move quickly to produce the course’s materials. In many cases the only instantiation of the course is in a specific MOOC platform. If we examine the contents of each MOOC we tend to find discrete elements that have a potential to be used elsewhere. However, as faculty and course development teams move from the first offering to subsequent offerings, and as faculty move to use MOOCs more broadly in their residential teaching, they are faced with the question of how, exactly, will they be able to reuse course materials if they are integrally tied to the offering? Will it be the whole MOOC? What affordances do the platforms and development processes have for using individual elements might be video snippets, or text content or formative assessments elsewhere?

The MIT Office of Digital Learning, in collaboration with our faculty, have been developing a set of tools to help manage the granularity of learning activities available on MOOC platforms, such as edX. These tools focus on learning outcomes/learning objectives/individual concepts and their relationships with content and assessments; they help create a growing assessment bank, along with the ability to use assessments outside of a single platform; and they enable pre-production of new courses. These tools focus on the individual components that comprise a course—and begin to move the conversation from the course as the end state to one in which individual, instructionally sound learning activities are the focus.

In particular we would like the opportunity to share our work on:
• The MIT Core Concept Catalog (MC3, http://mc3.mit.edu/): The core concept catalog
anchors much of the work—it provides an infrastructure allowing faculty and instructional designers describe the “core concepts” in a course. These “core concepts” are ideally clearly defined learning outcomes that are clearly measurable. Faculty can use tools we’re developing to describe their courses in terms of these concept banks, and we can present novel navigation structures based on these concept banks within courses and learning experiences.
• Applications of MC3 such as the Video Concept Browser (VCB, http://vcb.mit.edu/ requires a login). VCB was originally designed to allow faculty to design a concept map, associate portions of traditional lecture videos with those concepts, and enable students to watch the video by concept instead of by lecture date. More recently, we’ve been using VCB to create the concept maps and as a pre-production tool when moving from a traditional course to a MOOC.
• Embedded Assessment and Assessment banks: One of the most intriguing aspects of MOOCs is the potential for nearly limitless practice and formative assessment. As MOOCs continue to develop, this collection of assessment items continues to grow in size and potential but they are oftentimes locked into the course and platform in which they are offered. We are building tools to extract assessment items from MOOC course materials1 manage them, as well as reuse them in any web-accessible content.

Four Types of MOOC Research: From Fishing in the Exhaust to Design Research in the Core

Justin Reich

Much has been heralded about the research possibilities inherent in the massive clickstream databases produced by MOOC platforms. If these databases, however, fail to capture important data about students’ learning experiences, then having vast quantities of data will not compensate for having the wrong data. Even in the era of big data, good research depends on good design.

To draw attention to these design considerations, in this presentation I will present a taxonomy of four kinds of MOOC research:
• fishing in the exhaust: post-hoc analyses of courses designed and taught without any particular research agenda, yielding descriptive, observational insights
• experiments in the periphery: A/B type experiments of particular pedagogical approaches that test domain-independent teaching strategies (e.g. commitment devices, priming experiments, or motivational messages) that can be conducted
• observations in the field: qualitative research from interviews and observations that seeks to investigate the contexts in which MOOC students learn and the ways in which they make meaning of their experiences
• design research in the core: design research conducted in partnership with course faculty, instructional designers, and learning scientists to investigate pedagogical questions that attend to core issues in the design of a learning environment (e.g. the effect of using block-based programming languages in introductory computer science courses).

The past year of MOOC research has been characterized by “fishing in the exhaust,” and while some useful initial descriptions of user behavior have emerged from these approaches, there are strict limits to what we can learn from observational research (even observational research with lots of data). The coming year of MOOC research will see more fishing, but also a growth of experiments in the periphery. These kinds of experiments are typically dreamed up by educational researchers and not by course faculty, and as a result they explore issues that are potentially interesting but not central to the learning goals of any particular course. These studies are easy to facilitate in the complex ecosystem of MOOC production, but they may not investigate the most important domains of large-scale online learning.

In order for MOOC research to reach its full potential, the field needs stronger lines of research in both qualitative research and in design research in the pedagogical core of our courses.

Powerful design processes in education begin with empathizing with the learner, and at present we have trillions of cells of data about what people have clicked and we know very little about what has changed in their heads. While the best qualitative research will be conducted by trained specialists, a wide variety of roles in the MOOC production ecosystem—producers, developers, instructional designers, teaching assistants, and researchers—can and should contribute to this important work.

With a better sense of the needs of our learners, the most important and impactful research that will be done with MOOCs will be design research in the core. This difficult work will require close collaboration among teams of diverse researchers and practitioners, but it will investigate questions that pertain directly to the central pedagogical theory in a course or discipline.

Participants will leave the session with both a richer understanding of the importance of research design, and ideas about how to create MOOC production workflows and ecosystems that support ambitious, collaborative research.